a5c7b9f00b Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.
The nerd teenager Reed Richards has been researching teleport since he was a kid, helped by his best friend Ben Grimm.. During a high-school scientific fair, he is invited by Dr. Franklin Storm to join his research team in his institute in New York. Reed teams up with Dr. Storm's son and daughter Johnny Storm and Susan "Sue" Storm and the outcast Victor Von Doom and they succeed to send a monkey to another dimension. Soon they learn that the institute has an agreement with NASA to send astronauts to the other universe. However they decide to go by themselves to be the first humans to reach the place. However there is an accident and they are all affected by the power in the planet. Further, they achieve super-powers, but Victor is left behind. What will happen to the researchers?
In all the bad reviews I've read of this film, none of the writers has mentioned its defining moment of badness: when the young explorers get drunk and journey to the mystery planet/dimension, they celebrate their arrival by PLANTING AN American FLAG on its alien soil. Even Captain America would balk at this act of wanton imperialism (he balks at a lot of things his government wants him to do, which is one reason that the Captain America films are the best superhero films ever), but the planting of the flag marks a blindness to the implications of power that is one of this film's weaknesses; along with its incessant darkness. <br/><br/>No one is having any fun, except in the expository chapters that bring young Reed and Ben together with the Storm family; these episodes are the best part of the film, except for their excessive length. Once the team gain their super-powers, Fantastic Four starts to pick up again, but then after a quickly staged battle on the mystery planet/dimension, it's all over. <br/><br/>Do film makers always think a superhero film is going to be easy and then find, to their surprise, that it is not? The Tim Story films got it right with the cast and the mise en scene—an attractive mix of characters in the brightly-lit streets of New York City—but the writers could never figure out the tone; were the Four a joke, or not?–and the narrative device of pitting the Fantastic Four against Doctor Doom (although Trank and Toby Kebbell do much better with the Doom persona than the shrieky guy in the Story films) got old very fast. <br/><br/>In the comics, the Four had a lot of gravitas: Reed Richards was dead serious about everything, constantly worried about putting his girlfriend/wife in danger, and burdened with guilt for making a monster out of his best friend; the Human Torch was always getting in over his head; the Thing was inclined to lose his temper, etc. <br/><br/>They also got to pit their powers against a wide range of villains. In the movies, the Story filmswellTrank's, the Fantastic Four quite happily live in their dark laboratory until Doctor Doom comes along to be vanquished. Where are the legions of alien invaders and mad scientists who made the comics so much fun? Where are the Inhumans, not to mention the mole people, the Skrulls, Namor the Submariner lusting after Sue Storm, the other superheroes dropping by for a quickly-resolved dustup? Why does everything have to be dark and grimy? Let these kids have some fun.
I walked into this expecting a full-on wreck of a story. Instead, I found a lot of unfair critiques. Once you let go of your FF preconceptions and accept the retelling of the mythos (and the scientific mumbo-jumbo that's in every science-y movie), it's a pretty decent story. It's not the FF story I wanted, but it works. Certainly it works better than the nightmare the previous 3 movies were (apart from the comic relief of Roger Corman's version and Michael Chiklis' performanceThe Thing.)<br/><br/>The main problem I saw was that it needed more development, specifically in the 2nd and 3rd acts; it feels cut down to me. I honestly thought it could have been a half-hour longer. If they'd done that, they could have developed the "body horror" of transformation, given us more on the development of their powers, developed Doom's character and return, his "plot", and the actual ending far more. <br/><br/>Overall, however, I was surprisingly entertained. The cast all did admirably. No one suffered from overacting, the characters felt good, the dialogue wasn't stiff (the scientific writing and premises were bad, but you have to expect that), directing is firm. The development was a little lacking here and there, but I think they took advantage of the fact that we all know who these guys are for the most part.<br/><br/>Not brilliant, but definitely entertaining. Good enough.
The cast are some of the most promising actors of their generation, but what chemistry there is between them is swept away by wave after wave of expository dialogue and ludicrous exclamation.
No.
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